By Susan Robinson
I was playing pickleball with the indefatigable Natalie Roy a few months ago, when she suddenly exclaimed, “I have an idea!” As it turns out, her idea was a winner.

As many of you know, I am the principal harpist of the Kennedy Center Opera House Orchestra, now in my 31st season. And some of you may have noticed that my workplace is often in the news these days!
Natalie’s idea was a neighborhood “Night at the Opera.” The WNO Audience Development team loved the idea and ran with it. Residents enjoyed a generous ticket discount and an intermission champagne toast. In October, we brought about twenty friends and neighbors to a WNO performance of Verdi’s Aida, mingled at intermission, and then enjoyed an early dinner back in the neighborhood at Texas Jack’s. A few days ago, a group of thirty was wowed by the WNO’s The Marriage of Figaro, and we gathered for cake and (more) champagne after the show here at my home. It was great fun to walk through the Grand Foyer and the Opera House and see friends and neighbors everywhere, and to get to know new neighbors as well. At our recent outing I was able to introduce two residents of the 600 block of N. Kenmore St. to one another!

Figaro was particularly meaningful to me—since I don’t play the opera I was able to enjoy it as an audience member. The house was packed, full of buzz, and familiar faces. The performance was engaging and rapturously received—it was so moving to witness my place of work functioning just as it is intended to, bringing resonant musical experiences (Figaro is, after all, a tale that celebrates the fundamental humanity of people of all walks of life) to a large and appreciative audience.
I would love for anyone reading this to understand that the Kennedy Center is just a building, but its beating heart is its two primary constituents: The Washington National Opera and The National Symphony Orchestra. These incredible pillars of the DC arts community are presenting their current seasons as originally planned, their own boards of directors and fundraising machinery intact. If these institutions are lost, they are likely gone for good. The musicians of the Kennedy Center, along with the hardworking crews, and support staff (five labor unions are represented in the building) all appreciate the continued support of the community.
I hope to have more such opportunities in the spring! I am more than happy to answer your questions, or share our musicians’ talking points. Email me at susan@ibischambermusic.org.







































